CIRCULAR MOTIF YOKE
I have been really lucky in receiving really lovely
gifts of yarn off late and I’ve been enjoying making some absolutely lovely
stuff with all this yarn, and if you’ve been following my blogs, you know what
I’m talking about. If you’ve just joined me, well then go through my blogs and
you’re in for a lovely surprise.
This is one pattern that seems to have foxed
me. I am not sure what I want to *do*
with it. I thought I’d D.I.Y a t-shirt
and I’d make a yoke – first cutting off the top of my t-shirt and then adding
this yoke on. As I worked on the
pattern, I thought hmmm, this will make a swell full top.
I then worked one row of the motifs and wondered
if the spaces in between look better attached or just as simple rows of
motifs.. and then I attached two rows to see how *that* looked.. oh gosh, I am
so confused.
So here’s what I finally did.. I have written
the pattern for a single motif.. and then for a continuous row.. and given you
an idea of how to work in sleeves too – so go on ahead and work your creation.
I’ve worked something here that I need to figure
out – and I thought that rather than procrastinate in sharing this with you,
while I mull over what I am finally going to do with it – I’d share my
notes. Hopefully by the time you're done with your project, I'd have figured what to do with my motif rows
So as usual, as I work on this pattern, I’ve
written down my notes that I share with you.
Pattern inspiration https://in.pinterest.com/pin/470063279838662991/
Materials used : Today I’ve used 1 ball of this superb Alize Diva yarn, with a 3 mm crochet hook.
For Indians : This yarn is available online in India, (check Facebook stores) so do go ahead and try it. Its superb!
Size
made : I’ve made this for a bust size 34”
Skill
level : Advanced
This is a
truly beautiful motif, and I’ve given instructions for joining it individually
or if working in a continuous row.
However, this is not an easy pattern (well, the individual motif
is, the joining is not) and it is also not a pattern one can do in front of a
t.v.
So while I
do not want to put you off, fair warning issued
Stitches used : Using U.S terminology
Starting slip knot : Here’s how you start with a slip knot. https://youtu.be/lJcqsVcs8cw
Starting slip knot 1 or the Sloppy Slip knot : This is a neat new way to start your work without a slip knot. https://youtu.be/YfC7KmGpifs
What is a slip stitch : Here is a neat video tutorial at https://youtu.be/weB3QNbA8Iw
What is a chain stitch ? Here is an easy video tutorial https://www.youtube.com/watch?v=pXx5ukBjKkY
Foundation Single Crochet : fsc : To refresh your skill on the fsc, please view this video https://youtu.be/mcT85fwh4mA
Double Crochet : dc : yo, insert hk into st ; yo (3 lps on hk);
[yo, draw through 2 lps] twice. One dc made.
Check out the video at https://youtu.be/xdnjB27zpYo
Chainless start for Double Crochet : I dislike the ch-2 / ch – 3 start, and this is what I do to start my row of dc.
Check out the video at https://youtu.be/wskv3iTjRx0
Whipstitch to join : Here’s a quick tutorial on how to join using the whipstitch at https://youtu.be/wZ-9LNzftMA
Invisible join : Here’s a quick tutorial on how to join using the embroidery needle and whipstitch to get an invisible join at https://youtu.be/a6XZQ6VzJFM
Single crochet to join : Here’s a quick tutorial on how to join using the single crochet at https://youtu.be/6FXoW_47_dI
Here is a sizing chart for general neck sizing
Here is a sizing chart for general body sizing
Abbreviations used :
ch : Chain sp(s) : Space(s)
dc : Double crochet hk : Hook
st(s) : Stitch(es) sl-st : slip stitch
sk : Skip sp : space
rep : repeat
fsc : Foundation single crochet
Instructions
Please note that I start all my rows with a ch 1, turning chain for ease.
Please check the top of this blog for easy video tutorials on all stitches used in today's pattern.
Please read through all my notes before you pick up your hook, so you know just where we're heading in our pattern.
In my patterns I work with the principle of stitch count and body measurement. This means that you need to work the stitch count in pattern, till you get the measurement (length and/or width) that you need for your project.
Quick analysis of what we’re going
to do here today.
What I love about these motifs is
that they are continuously worked and it’s not like a regular motif where you
need to join them one by one. So in my
opinion, this is superb. I love the effect motifs give but I hate joining in
the ends and weaving it up and all that messy stuff – so this, in my opinion,
is the best of all worlds.
Now here’s the zinger. Before
you start, just let’s see how we will be making a motif. So there are two ways you can get this
pattern done
You can either make individual
motifs and then join them all together – OR you can work them as you go along.
The second option requires Advanced Skills, and I will help you read this chart but you will need to work some of it on your own.
So just like that, let’s see how we
work a motif.
Instructions for making the circular
motif yoke : (Using U.S terminology)
First off, let me say that the
pattern we’re looking at has similar motifs, but they are not attached the way
we are attaching here. In the pattern
chart, you’ll note that they are joined differently, so the edges are half a
motif off both ends. As this did not
work for the project I needed, I am changing the attachment – so our motifs
will look a little spaced as against the chart.
That said, you can well work the project and joining any way you wish
and get a completely different creation.
CHOICE 1
Here, I am giving you
instructions on how to make an individual motif and then you can join them as
you go along.
Start : with ch 5. Join
with a sl-st to the 1st ch.
Round 1 : dc in ch-5 sp ;
(ch 1, dc in the same
ch-5 sp) ;
rep (to) 10 times ; ch 1 and
join with a sl-st to the 1st dc.
Round 2 : dc 4-tog in the 1st dc ;
(ch 3, dc 4-tog in the next dc)
;
rep (to) 10 times till the last
dc ; ch 3 and join with a sl-st to the 1st dc 4-tog.
Round 3 : sl-st into the 1st ch-3 sp ; dc 4-tog in the 1st
ch-3 sp ;
(ch 5, dc 4-tog in the next
ch-3 sp) ;
rep (to) 10 times till the last
dc ; ch 5 and join with a sl-st to the 1st dc 4-tog.
We’ve completed our first
motif. Fasten off and weave in ends.
Make individual motifs and then
join them together to make the scarf, top or yoke of your choice.
Remember when you are working the second and every other motif
though, to join your motifs as you go along so that at the end, you have
a long row of them, and can increase the width / length as you work
So how do you join ? Basically
you will work a ch 2, join to the ch-5 sp of the earlier motif , ch 2 and dc
4-tog in the ch-sp of the motif you are working on.
So you will work back and forth
between the two motifs that need to be joined.
You will need to keep the two
adjacent motifs flat and see which are the sps to be joined. It would help if
you could place corresponding colored markers in the adjoining spaces that are to
be joined, as these motifs tend to swing when you are working.
May I also suggest (and this
applies for all motif joinings in general) to check your work very regularly
by placing it down to see that you are joining the motifs correctly and that
they are all sitting flat. If they are
not sitting flat, you will need to increase the distance between them..
And how do you increase
distance between motifs?
So to join two motifs, you have
been instructed to do a ch 2, join and then ch 2 (dc 4-tog). So that *join*,
that could be a sl-st, a sc, a hdc , a dc or a treble crochet – and depending
on how close or far away you need the second motif to be from the first, choose
your stitch.
Have fun.. creation and
discovery is more than half the fun of making a project.
CHOICE 2
Now in case you are working the
pattern in one continuous motif set, then here’s how we do it.
I’m going to keep the same
numbering as this is our first motif here as well.
If you have come straight here
without reading through all my wordsy explanations above, may I request you to
please read the last few lines about joining of motifs and how to keep them
distanced apart. The rules of joining
stay the same whether you are making individual motifs or this continuous
version.
Start : with ch 5. Join
with a sl-st to the 1st ch.
Round 1 : dc in ch-5 sp ;
(ch 1, dc in the same
ch-5 sp) ;
rep (to) 10 times ;
ch 1 and
join with a sl-st to the 1st dc.
Round 2 : dc 4-tog in the 1st ch-sp ;
(ch 3, dc 4-tog in the next ch-sp)
;
rep (to) 10 times till the last
ch-sp ;
ch 3 and join with a sl-st to the 1st dc 4-tog.
Round 3 : sl-st into the 1st ch-3 sp ; dc 4-tog in the 1st
ch-3 sp ;
(ch 5, dc 4-tog in the next
ch-3 sp) ;
rep (to) 3 times.
We’ve partly completed our
first motif and we will work our next motif, also in part.
Next Start : with ch 21.
Turn and join with a sl-st to
the 5th ch from the start.
Now the second and all other
motifs are worked in the same way, but just to differentiate from the 1st
motif, I’ll rename these rounds a bit.
Now with every round, we need
to use a few of the chains from that ch-21 we’ve just made. So on that first
circle, we’ve used 5 ch, and on this Round 1A, we’ll use 3 ch as the 1st
dc.
*So that 1st dc in the ch-5 sp, that’s the 1st
3 chain used
Round 1 A : sl-st in the 3rd
ch ( * ) ;
(ch 1, dc in the ch-5 sp) ;
rep (to) 10 times ; ch 1 and
join with a sl-st to the 1st dc.
We will use the next 3 ch of
that 1st ch-21 as the 1st dc for the 1st dc
4-tog
*1 For the 1st dc 4-tog then, we’ll use the next 3
ch, and then ch 2 + 2 dc which = the 1st dc 4-tog
Round 2 A : dc 4-tog ( *1 ) in the 1st ch-sp ;
(ch 3, dc 4-tog in the next ch-sp)
;
rep (to) 10 times till the last
ch-sp ; ch 3 and join with a sl-st to the 1st dc 4-tog.
*2 Once again, the 1st dc 4-tog will use 3 ch + ch 2
+ 2 dc = 1st dc 4-tog.
In our final third round, we
need to join this motif to the earlier motif and we will do that in the
ch-sp after the 1st dc 4-tog. So you work that 1st
dc 4-tog in the 1st ch-sp and then join the two motifs, and then
work the next dc 4-tog, thus joining two motifs.
Now while joining, you need to check
which ch-sp you are joining in.
Very important there is a front and back to your motifs, and as they’re
just held with the ch-5 sps, they swing – so keeping first motif facing
front, join in the 1st ch-sp.
Round 3 A : sk the next 2 ch and sl-st into the 1st ch-sp ;
dc 4-tog ( *2 ) in the 1st ch-3 sp ;
ch 2, join this motif with the
earlier motif in the 1st ch-sp ;
ch 2, dc 4-tog in the next ch-3 sp
of this motif ;
(ch 5, dc 4-tog in the next ch-3 sp) ;
rep (to) 4 times.
So a total of seven dc 4-tog
made
We’ve completed our next motif
– in part.
These repeats add to the width
of your work. To continue increasing your
width, you will repeat Next Start row ch-21 all the way through to Round
3A for the next motifs.
So let’s now assume you have as
many motifs as you would need for the width of your work.
After you finish the last
motif, you will have this one long set of motifs attached together in a
straight line.
So we need to now complete these motifs, as in each motif, on that last round, we’ve only done seven dc 4-togs, right?
Our next row is the same
pattern as Round 3A , but basically we’ll go around finishing off the
remaining dc 4-togs (obviously you got that bit) but as we’re doing
this, we will also ensure that we join them with the ch-5 sps that are between
two motifs. So in each of those ch-5
sps, (after we complete the dc 4-togs in one motif and are moving onto the next
motif), you will do a ch 2, join with the ch-5 sp, ch 2 and dc 4-tog in the 1st
ch-sp of the next motif.
So we go all around, completing
all 12 of the dc 4-tog, ensuring you join them at the ch-5 sps (that connect
two individual motifs) all the way to the end, and you have a completely
finished long row of motifs.
This long row you’ve just
created, is the width of your work.
Now comes the second part… to
increase the length of your work.
To increase the length of your
work, you will work another row of motifs like we’ve just done, and then you will
need to join the earlier row of motifs to this one. This can only be done after
you have done a second row of motifs, and are at the last row where you
will be completing the second side of five dc 5-tog etc.
For the second row of motifs,
and each row thereafter to increase the length of your work, these are
the points you will need to join at :
1.
You are already
joining each motif at the ch-5 sp as indicated before
2.
You have ten free
ch-5 sps on each motif that need to be joined.
3.
Align these ch-sps
and place similar colored markers such that you are able to join this row (that
you are working on) with the previous row, in exactly the same space. i.e You will join Row 2 motif to Row 1 motif
in both the first ch-5 sp, using a ch 2, dc join to the next motif ; ch
2, dc 4-tog in the earlier motif ; OR
using a ch 2, hdc join to the next motif ; ch 2, dc 4-tog in the earlier
motif ; OR using a ch 2, sc join to the
next motif ; ch 2, dc 4-tog in the earlier motif ; depending on whether the
ch-sp is at the end (then use a trc or a dc) or at the centre (use a hdc, sc or
sl-st). This will then ensure that the
second set of motifs is held the same distance away, and also stays flat.
This joining of motifs is
tricky and this is what makes it an Advanced Skill project.
Once you have the second row of
motifs joined to the first row, you will work on the third row of motifs,
joining each row and increasing the length of your work.
Now if you are working on a
scarf or wrap, you will just go ahead and join each row to the next.
If however, you want to work on
a yoke, then it’s a little trickier and here are the hints for what you could
do.
1.
As I always say,
please keep a well-fitting garment (for the person this project is intended) at
hand and use that as a template for this yoke / top creation
2.
If making a yoke or
top, I would suggest that you keep it straight at the armhole, so just work in
a rectangle to the shoulders and do not do any shaping. The circular ends will give a neat shape anyway
3.
If you wish to have
a neckline for your garment, then you will work say 2 motifs on each side,
leaving the centre bit without motifs, and thus creating a shoulder. The unworked bit will give you an automatic
neckline
4.
If you want a
boat-neck neckline (oops.. neck & neckline J ), then I’d suggest you just work till the shoulders, and on
the following row, just do not join the centre motifs that will then
automatically become an opening and a neckline. Please refer to my recent
pattern notes http://shyamanivas.blogspot.in/2016/05/yet-another-lovely-shelled-crop-top.html for an idea of how to get this done. Do note though that the
shelled crop top is a completely different construction – and I draw your
attention to it only to show you how to get that opening for the
neckline
5.
If you want
sleeves, I guess you could finish the front and back, with the neckline, and
then attach the sides to leave the armhole opening, and then continue adding
the rows of motifs onto the sleeves as well.
I have not done this, but just looking at these beautiful motifs, I
think this may work too. IF you do make
this, do remember to tag me – all your work, but hey, I did think it up, so do
credit me for it. Thanks
So this basically is the motif
top or yoke. Each little change will
make it a totally different piece. And
can you believe it all started with that one small three round motif. Amazing, isn’t it.
Right then, go ahead.. tweak , create, and remember I need to be tagged and credited. Thanks.
Right then, go ahead.. tweak , create, and remember I need to be tagged and credited. Thanks.
Fasten off and weave in all
ends.
Give yourself a big pat on the
back as this one has really been yet another great project .. and so different
from the others we’ve worked on together.. and once again, totally worth it,
I’m sure you’ll agree.
Enjoyed this ?? I sure did..come
back right here for more freebie patterns
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Have a great day and see you soon.
Here are some of my older creations. Have fun with these free patterns too
Here are some of my bolero / jacket / vest creations. Have fun with these free patterns too
I have a few other tops made,
and here are the convenient links for you
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